KIOS-FM

Last Call

Saturdays, 9pm - 11pm

The Last Call started on KIOS in January 1996.   Since that time Chris Cooke has been the host for this late night jazz program.  It is one of the few radio programs that present the very best of adventuresome jazz-music which generally falls outside of the mainstream of the genre, but includes some of the most creative and innovative music ever recorded by musicians anywhere. The program's host brings along with him several decades of experience and insight into jazz music as he steps into the studio to host each program.

Jazz artists have been motivated by concerns outside of the mainstream for decades. Innovative musicians such as Sun Ra & his Arkestra made some of the first truly "out there" recordings in the 1950s. The following decade saw the emergence of Ornette Coleman & Free Jazz.  John Coltrane's flight into the avant-garde was also a defining moment, equalled only by fellow saxophoniststs Pharaoh Sanders and Albert Ayler. Ayler's  "ectastic" period in 1965-1966 is arguably the most bold demonstration of inspired, sacred jazz ever on record.  The 1960s also saw the formation of Chicago's Association for the Advancement of Creative Musicians (AACM). The Art Ensemble of Chicago also formed in the 1960s, to be followed by the World Saxophone Quartet.

Inspired by the revolutionary guitar work of Jimi Hendrix, the grooves of James Brown and Sly & The Family Stone,  a wave of innovative jazz musicians fused jazz & rock in the late 1960s. Miles Davis & his in studio ensembles were among the first to record electric jazz, other artists such Eddie Harris, Charles Lloyd, Herbie Mann & Larry Coryell also pioneered some of the earliest jazz rock in the late 1960s.  An explosion of progressive jazz groups followed in the 1970s. Bands such as Herbie Hancock's Headhunters (and earlier, Mwandishi sextet), Return to Forever, Weather Report, and John McLaughlin's Mahavishu Orchestra made immensely creative music and won audiences worldwide. Since then a galaxy of jazz talent has continued exploring the possibilities of jazz music. Artists such as Rez Abbasi, Vijay Iyer, Donny McCaslin & legends such as David Liebman, that are featured regularly on the Last Call, provide an assurance that the future of forward-looking jazz music is bright indeed.

Thank you for listening!

-Chris Cooke

From Lionel Hampton to Milt Jackson, to Bobby Hutcherson and beyond, every jazz generation has had its swinging heroes on the vibraphone. Since around the turn of the century, we've had a leading light in Stefon Harris.

While the world has gone relatively quiet amid the coronavirus pandemic, International Jazz Day plans on bringing some joyful sounds from across the globe together in celebration of the music.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

Updated on Saturday, March 7 at 11:45 a.m. ET

McCoy Tyner, a pianist whose deep resonance, hammering attack and sublime harmonic invention made him a game-changing catalyst in jazz and beyond, died Friday, March 6, at his home in New Jersey. His death was confirmed by his manager. No cause of death was given. He was 81.

Electric Miles. Few word pairings in the jazz lexicon are apt to inspire so much contention and challenge and ferment. What the phrase refers to, of course, is a period in the career of trumpeter Miles Davis, spanning the last third of his life.

The rules of musical gravity don't apply for the spirited saxophonist, composer and producer Kamasi Washington. Washington's roots are in jazz, but he can turn his saxophone into a soaring bird or a spaceship, a howling wolf or a karate kick.

Two deaths in early January, of percussionist Alvin Fielder and multi-instrumentalist/poet/dramaturge Joseph Jarman, help remind us that artists' lives shouldn't be summarized by their documented works alone. Both men made signature contributions to the freedoms and complications that have enriched what we know as jazz, starting more than 50 years ago as founding members of the Association for the Advancement of Creative Musicians (AACM).

Roy Hargrove, an incisive trumpeter who embodied the brightest promise of his jazz generation, both as a young steward of the bebop tradition and a savvy bridge to hip-hop and R&B, died on Friday night in New York City. He was 49.

The cause was cardiac arrest, according to his longtime manager, Larry Clothier. Hargrove had been admitted to the hospital for reasons related to kidney function.

He should have been exhausted, but instead played the Tiny Desk with incredible stamina, holding a single trumpet note that lasted longer than most people can hold their breath. In the days just before this performance, Nicholas Payton played at the Joy of Jazz Festival in Johannesburg, South Africa, in Buenos Aires, Argentina, then Santiago, Chile and, finally, New York City. A member of his team drove them the four hours from NYC so he could nap in the car and be ready to play.

For more than four decades, Hamiet Bluiett found a way to combine the avant-garde with traditional jazz. Along the way, he redefined the role of the baritone saxophone, and co-founded one of the most successful groups in modern jazz: The World Saxophone Quartet.

Bluiett died Thursday due to complications from a series of strokes he suffered over the past several years, his sister Karen Ratliff told NPR. He was 78 years old.

His granddaughter, Anaya Bluiett, announced on social media that his funeral will be held next Friday in Brooklyn, Ill.

GoGo Penguin: Tiny Desk Concert

Sep 29, 2018

During his setup, GoGo Penguin's pianist Chris Illingworth asked if he could remove our piano cover to "access the inside" and, after a few rotations of a screwdriver, he soon handed me a long plank of black painted maple, which has no convenient place to rest in the NPR Music office. If you look closely at the piano innards during "Bardo," you can see a strip of black tape stretched over a few strings, opposite Illingworth's bobbing head. It mutes a group of strings, turning them into percussive jabs and dividing the instrument into more explicit rhythmic and melodic sections.

What would you say if I told you that drums can sing? The best jazz drummers have always understood this as fact. Allison Miller has even made it a core part of her artistic mission — as drummer, a composer and a bandleader, notably with her ensemble Boom Tic Boom.

Aretha Franklin was about a month shy of her 20th birthday when she appeared for a week at The Village Gate in late February of 1962. She shared a bill there with pianist and composer Thelonious Monk, who like her was an indescribable talent — a genius, in the fullest sense of the word — recently signed to the roster of Columbia Records.

Pages