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Highlights to air Friday evening on KIOS. KIOS will present a 2-hour highlights program from the 2009 Detroit Jazz Festival on Friday September 3rd at…

Program looks at the legendary John Lennon's newly remastered recordings. KIOS will celebrate John Lennon's 70th birthday this weekend with "Gimme Some…

Programming change takes place Saturday November 6th.By KIOSJazz Junction, hosted by Rick Erben, will expand to three hours beginning Saturday November…

Katie Thacker of Tacoma, Wash., was in labor when she stepped into an elevator at St. Joseph Medical Center. On the way to the maternity ward, the elevator got stuck. She left the elevator with a baby named Blake.

Besieged by the digital age it helped spark, the once-dominant photo giant hopes to restructure and raise cash by selling some of its more than 1,000 patents.

The Texas governor leaves a race he once led. He throws his support to the former House speaker. "There is no viable path forward for me," Perry told supporters this morning in South Carolina.

As South Carolina gears up for this weekend's primary, hopefuls are spending millions on ads slamming the president and each other. Host Michel Martin speaks to NPR's Ron Elving and Rosemarie Ostler, author of the book "Slinging Mud," about how ads today fit into America's colorful history of political attack campaigns.

For years, critics have argued about whether poetry still holds a place on this country's literary table. Host Michel Martin puts that question to writer Alan King and Lauren Wilcox, who talk about encouraging a taste for poetry in a new generation for this week's Washington Post Magazine.

Rick Perry garnered instant front-runner status in some polls when he joined the GOP presidential race. But he slid to the back of the pack after embarrassing debate performances. All along, his bid for the nomination seemed outsize. So, too, were the expectations, which ended Thursday.

Gerardo Naranjo's gripping film about the Mexican drug war is Mexico's submission this year for the Academy Award for Best Foreign Language Film. Critic John Powers says it deftly illuminates a society plagued with fear.