Bob Mondello
Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.
For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.
Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.
Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.
Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.
An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."
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Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: A closer look at Sabrina Carpenter's "Espresso," the series Jamtara, and the movie Ghostlight.
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The Folger Shakespeare Library in Washington, D.C., is emerging from a four-year metamorphosis. Eighty-two copies of Shakespeare’s “First Folio” will be together on public display for the first time.
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Comedies, action-adventures, coming-of-age tales, animation — plus that sweet, sweet movie theater air conditioning. There's something for everyone at the multiplex; our critics can help you choose.
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After an already-slow spring, movie theater attendance over Memorial Day Weekend was the lowest in decades, apart from 2020.
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Imagine that imaginary friends were real. Now imagine that IF director John Krasinski and star Ryan Reynolds convinced A-list pals to voice them.
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In the new stunt-crammed romcom The Fall Guy, Ryan Gosling is a stuntman, and Emily Blunt is both his ex and his director.
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John (James Norton) is a young single dad who has just a few months to live and no family to turn to. So he goes out in search of the perfect family for his 4-year-old son.
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The Motion Picture Academy hopes that more popular films, an earlier showtime, and increased diversity among nominees will lead to higher viewership.
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Mel Brooks' satirical Western got mixed reviews when it opened in February 1974, but it became the year's biggest box office hit.
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Usually around this time, Hollywood is talking about how to keep its box office momentum going. This year, January was so lackluster that studios had to jump-start moviegoing from scratch.