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Kevin Whitehead

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Though Andra Day plays the jazz legend with conviction, The United States vs. Billie Holiday fictionalizes the particulars of Holiday's life, where the real story is dramatic enough.

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Investigators are still trying to answer some key questions about the January 6 assault on the Capitol, like exactly who stormed the building that day? And what motivated them to be there? An NPR team has been analyzing the more than 200 cases the Justice Department has brought so far. The defendants include military men, extremists and hardcore Trump supporters. One thing they had in common - they were nearly all men. As Dina Temple-Raston of NPR's Investigations team explains, experts say gender likely played an outsized role in the way the day played out.

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This is FRESH AIR. I'm Terry Gross.

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(SOUNDBITE OF JAMES CARNEY SEXTET'S "MAYOR OF MARCELLUS")

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This is FRESH AIR. On cable this month, Turner Classic Movies is presenting a series of movies with jazz connections. As it happens, our jazz critic Kevin Whitehead has a new book about movies that tell jazz stories. Here's his defense of a much maligned film genre - the jazz biopic, screened biographies of jazz musicians.

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STEVE ALLEN: (As Benny Goodman) All right. Let's get to work.

SHEP MENKEN: (As Harry Goodman) I got only one suggestion to make, Benny.

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This is FRESH AIR. On cable this month, Turner Classics is presenting a series of movies with jazz connections. As it happens, our jazz critic Kevin Whitehead has a new book about movies that tell jazz stories. So we invited him to talk a little about the subject. In the first of two segments, he looks at what he calls the stock jazz movie ending - a basic plot element subject to many variations. Here's Kevin.

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