David Bianculli

In her 2019 memoir, Maid: Hard Work, Low Pay, and a Mother's Will to Survive, Stephanie Land writes candidly about trying to raise her young daughter while working as a maid for hire. Now, a new 10-episode Netflix adaptation brings Land's story to TV.

Hemingway, the latest PBS documentary series from Ken Burns and company, has several names attached who have become a sort of repertory group. Lynn Novick, Burns' frequent co-director, is back. So is writer Geoffrey C. Ward, who helped make Burns a PBS phenomenon with the landmark non-fiction mini-series The Civil War. And the narrator, who has lent his voice to so many past productions, is Peter Coyote.

If you've read Sarah Pinborough's 2017 novel Behind Her Eyes, you already know what to expect from Netflix's new miniseries adaptation. But if you don't know what to expect, you ought to do everything you can to keep it that way, and come to this series as uninformed as possible. Just promise yourself, in advance, that you'll stay with it, and allow its secrets to slowly reveal themselves. Get to the end — the very end — and I all but guarantee you'll be ready to start watching the whole thing all over again. Immediately.

The Lady and the Dale, a new HBO documentary miniseries co-directed by Nick Cammilleri and Zackary Drucker, has been promoted by the network with most of its secrets held in check. Tune in to this nonfiction biography series, the promos suggest, and learn the tale of a female automobile executive who took on the Detroit automakers and tried to market a gas-efficient car in the 1970s, at the height of the oil crisis.

Tina Fey and Robert Carlock, the creators of NBC's new sitcom Mr. Mayor, were deep into the run of their hit 30 Rock when they came up with a promising idea for a spinoff. How about taking Jack Donaghy, the corporate executive played by Alec Baldwin, and have him run for mayor — and win?

The pandemic redefined television in 2020 — and the evolution isn't over. Production of scripted TV series has stalled or been delayed and redesigned because of health and safety concerns, and major movies and small-scale independent films and documentaries are now premiering in our homes, on television. Streaming services have become so prominent they rival, and often dwarf, the broadcast networks with their offerings.