
Aisha Harris
Aisha Harris is a host of Pop Culture Happy Hour.
From 2012 to 2018, Harris covered culture for Slate Magazine as a staff writer, editor and the host of the film and TV podcast Represent, where she wrote about everything from the history of self-care to Dolly Parton's (formerly Dixie) Stampede and interviewed creators like Barry Jenkins and Greta Gerwig. She joined The New York Times in 2018 as the assistant TV editor on the Culture Desk, producing a variety of pieces, including a feature Q&A with the Exonerated Five and a deep dive into the emotional climax of the Pixar movie Coco. And in 2019, she moved to the Opinion Desk in the role of culture editor, where she wrote or edited a variety of pieces at the intersection of the arts, society and politics.
Born and raised in Connecticut, she earned her bachelor's degree in theatre from Northwestern University and her master's degree in cinema studies from New York University.
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This new film about a fan who gets close with an up-and-coming pop star lingers on the ways a relationship that might seem parasitic is closer to symbiotic.
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Emotion cemented Jepsen as a niche star and was acclaimed for its sense of drama and unabashed schmaltz. It's also a trove of songs about one particular emotion less associated with her cutesy image.
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Spike Lee's latest collaboration with Denzel Washington — their first in nearly 20 years — reimagines a 1963 story about a wealthy businessman. In this version, Washington plays a music executive and Jeffrey Wright plays his chauffeur.
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This high-anxiety pandemic Western wants to impress you by reproducing the chaos, disinformation, and combativeness of 2020 — but it's less satire than a star-filled documentary reenactment.
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The finale of Love Island USA airs Sunday night. Critic Aisha Harris says it's impossible to separate the season's racial and ethnic diversity from the show's mealy-mouthed handling of behind-the-scenes drama.
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People have strong opinions about the best Pixar movies. We asked NPR Pop Culture Happy Hour listeners to vote.
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Brad Pitt is in the driver's seat this week in F1, while M3GAN 2.0 follows up on the surprise 2022 hit about a killer robot. After something referred to as the "bad thing" occurs, an English professor confronts the emotional fallout in Sorry, Baby.
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A money-obsessed NYC matchmaker is wooed by a financial investor and a cater waiter in a romantic drama that has its protagonist finding strength and emotional growth via a side character's suffering.
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It’s rare for the third installment of a franchise to resonate just as deeply, if not more, than its predecessors. But Day One manages to raise fresh, existential questions.
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Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: A closer look at Sabrina Carpenter's "Espresso," the series Jamtara, and the movie Ghostlight.