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Content from KIOS staff relating to jazz, blues, and all kinds of music.

Music impresario George Wein, who spawned the modern music festival when he helped launch the Newport Jazz and Newport Folk Festivals, has died at the age of 95.

According to a statement from his family, Wein died peacefully in his sleep early Monday morning.

Wein co-founded the Newport Jazz Festival in 1954 and the Newport Folk Festival in 1959. Newport was the first and largest event of its kind in the U.S., setting the standard for outdoor music festivals to come.

Jazz Calendar (Updated 9/10/2021)

Sep 10, 2021

The voice of Phil Schaap was as distinctive as the trumpet of Miles Davis, Thelonious Monk's piano, or the sumptuous saxophone harmonies of the Duke Ellington Orchestra, but he didn't didn't make his mark as a musician. Instead, Schaap was one of the leading jazz scholars in America, and the genre's foremost evangelist. He was a radio host, a record producer, a concert programmer, an educator, a reissue producer, an archivist and a researcher, and served many other functions beyond those.

Another piece of New Orleans's rich jazz history has crumbled to the ground.

The building where musical great Louis Armstrong spent much of his childhood is no longer standing after Hurricane Ida battered the city. 427 South Rampart Street was called the Karnofsky Shop, after the family who lived there.

Some of the most esteemed figures in the history of France, including Voltaire, Victor Hugo, Marie Curie, Jean-Jacques Rousseau and Simone Veil, are interred in the Panthéon in Paris. And now a new spirit will join them: an entertainer, activist, and agent of the French resistance.

Josephine Baker was born in St. Louis in 1906, began performing in her teens, and moved to Paris.

"I just couldn't stand America, and I was one of the first colored Americans to move to Paris," she told The Guardian in 1974.

John Coltrane's A Love Supreme, recorded near the close of 1964 and released early the following year, inhabits an exalted plane beyond the realm of most other albums, in any musical genre.

Charlie Watts, the unshakeable drummer for The Rolling Stones, died this morning. According to a publicist, he died in a hospital in London, surrounded by family. No cause of death was given. He was 80 years old.

What a difference a year makes. This time last year, it was virtually impossible to imagine attending a live concert in person, let alone a festival. One of the first American jazz festivals to make a comeback and bring a little rejoice to the world, is Exit Zero in Cape May.

There's a moment on "Oceans of Time," from a 2016 album by The Cookers, when alto saxophonist Donald Harrison, Jr. takes a solo full of swerving self-assurance. Swinging mightily behind him is the composer of the tune, master drummer Billy Hart.

Re-Revising 'The History Of Jazz'

Jul 15, 2021

For most contemporary music consumers, listening to jazz is a historical exercise. Miles Davis' Kind Of Blue is, at the time of writing, still No. 3 on Billboard's Jazz Albums chart 61 years after it was released, much to the chagrin of the artists making music in the same tradition today.

At this time last year, Morning Edition was looking for ways to chronicle, and through that make sense of a moment as dramatic as anything in recent memory. We turned to music almost immediately, and specifically our Song Project — asking musicians to write an original song about their experience of the tumult.

Nnenna and Phil Freelon were a power couple: He was the lead architect for the Smithsonian Institution's National Museum of African American History & Culture, and she was a Grammy-nominated jazz singer, composer, actress and playwright. They enjoyed an exciting, full life of work, travel, friends and family.

Erroll Garner, the effervescent and boundlessly inventive jazz pianist and composer, died more than 40 years ago, at the age of 55. A household name and major concert attraction in his prime, he has recently regained a measure of cultural cachet thanks to the Erroll Garner Project, which made a splash five years ago with an expanded rerelease of Garner's landmark album, Concert By the Sea.

Trombonist and composer Curtis Fuller, a pivotal figure on his instrument since the '50s and a beloved mentor, passed away May 8. He was 88. His death was confirmed by his daughter, Mary Fuller, and by the Jazz Foundation of America.

"His sound was massive, striking and immediate, a waveform that was calibrated to overload the senses and saturate the magnetic tape that captured it," says trombonist and composer Jacob Garchik. "In our era of obsession with harmony and mixed meters, Curtis Fuller's legacy reminds us of the importance of sound."

It's not hard to imagine a world where a search for the phrase "jazz connoisseur" turns up a photo of the grinning mug of Phil Schaap. As a historian and educator, a Grammy-winning reissue producer, a curator and a pontificator, Schaap has more than earned his prestigious stature as the 2021 A.B.

Last year, the International Jazz Day All-Star Global Concert affixed a hopeful coda to the cruelest of months. And for pandemic precautionary reasons, the event was fully virtual, with a carefully produced montage of performances and salutations from around the world. This year's International Jazz Day arrives at quite a different moment, in some respects — though still a good distance from a post-COVID reality.

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Miles Davis famously once said, "I have to change; it's like a curse" – and that's exactly what he did throughout his entire career.

Paul Jackson, who as bassist for Herbie Hancock's Headhunters helped secure the first million-selling jazz album, died on March 18 in Japan, where he had lived since 1985.

He was 73. His death was confirmed on social media by his longtime musical associate, drummer Mike Clark.

Chick Corea was the recipient of 23 Grammy awards, the most of any jazz artist ever, when he died shockingly last month, at 79. He could add two more to his tally at the 63rd Grammys this Sunday: Best Improvised Jazz Solo, for his crisp piano excursion on "All Blues," and Best Jazz Instrumental Album, for Trilogy 2, on which that performance appears.

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